Two papers, two temperaments. Hahnemühle William Turner is matte cotton rag — soft, textured, the color set into the fiber itself. Photo Silk Baryta X replies with a fine sheen, deep blacks and a sharp edge. One paper holds the light, the other returns it — and both are printed to last.

Color, lit from within. Rails on the back hold it clear of the wall, drawing a soft line of shadow. The print is face-mounted under acrylic glass, so its surface turns to depth and the spectrum gains a wet, luminous charge.